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20

May

We’re analogue people. We both agree that if we had to choose one single camera to use forever, it would be something from the analogue section. Due to the cost of processing, however, we generally stick to our digital SLRs. Our phone cameras only get outings on very rare occasions - our albums contain little other than quick snaps of recipes from magazines, artist information to look up later, photos of that time someone parked a kayak in the bike shed. 
Lately, though, we feel we’ve been missing a trick. Many times, we’ve seen a beautiful photograph and been shocked to discover it’s taken with an iPhone. There’s no question that the technology is only going to keep getting better, and we need to keep up. So we set ourselves a challenge: we would Instagram 5 times every day for a month. And in the process, we would learn to love it. 
After 30 days and 150 photos, we called an end to our experiment. We’d managed it! Here are some things we learned along the way:
1. Five photos a day is a lot. We’re both daily photo bloggers (we post one every day at blipfoto.com) - if you combined all of our days, you’d have nearly 8 years worth of photos. But it was a big leap going from one to five. On busy days, when we were exploring Brighton or London, five seemed an annoyingly small number when there was so much to pick from. On quiet days, when it was grey and rainy and we worked all day and got home in the dark, it was much much harder. 
2. Due to the layout of Instagram, we felt the curation of images became an important factor. It sounds awfully fussy, but we wanted our profile to look balanced. Therefore, it wasn’t just the challenge of taking five photos a day, but making sure we didn’t duplicate subject matter, or colour, and uploading images in an order that would ensure they looked best alongside each other. 
3. All those conceptions people have of Instagram? About boring photos of Starbucks mugs with a gazillion tacky filters applied? We had all of those conceptions too. But as much as we tried to stay away from the classic subject matter, it wasn’t easy. In this country, blue sky is super exciting when it decides to appear, and coffee is actually pretty photogenic. But there are some incredible photographers using Instagram as a tool - check out jn for example, whose street shots of Berlin, one of our absolute fave cities, are beyond awesome. 
4. As for the filters? Well, yes, we used them. But we generally stuck to just one - Valencia - which slightly flattens the contrast, and adds subtle grey-brown tones. We’re pretty anti-fake-vignette, and it produces images that look similar to how we’d process them ourselves on Photoshop. We did try the tilt-shift option too, but just the once and on a shot of London from up high, to make proper use of the miniature effect. Weirdly, for people who love shooting black and white film as much as we do, we found ourselves drawn to almost exclusively bright colours. Odd.
5. There were some features we felt it could do with. One of our absolutely unforgivable hatreds in photos: when the horizon/verticals aren’t straight. A straightening function with the rotate would be fab. For this, and other little tweaks, we used Snapseed, an amazing (free!) editing app from Google. Ignore the few tacky filters, and it’s an incredibly useful tool. We particularly like the ability to adjust certain areas of an image - its intuitive selection means if you want to brighten the sky, it will only brighten the sky. 
Above all else, we’re very glad we tried this. All those “if only I had my camera!” moments are a thing of the past. Instagram is more than filters - we’ve got a constantly refreshing stream of inspiration in our pocket. I think it’s safe to say we’re hooked. 

We’re analogue people. We both agree that if we had to choose one single camera to use forever, it would be something from the analogue section. Due to the cost of processing, however, we generally stick to our digital SLRs. Our phone cameras only get outings on very rare occasions - our albums contain little other than quick snaps of recipes from magazines, artist information to look up later, photos of that time someone parked a kayak in the bike shed. 

Lately, though, we feel we’ve been missing a trick. Many times, we’ve seen a beautiful photograph and been shocked to discover it’s taken with an iPhone. There’s no question that the technology is only going to keep getting better, and we need to keep up. So we set ourselves a challenge: we would Instagram 5 times every day for a month. And in the process, we would learn to love it. 

After 30 days and 150 photos, we called an end to our experiment. We’d managed it! Here are some things we learned along the way:

1. Five photos a day is a lot. We’re both daily photo bloggers (we post one every day at blipfoto.com) - if you combined all of our days, you’d have nearly 8 years worth of photos. But it was a big leap going from one to five. On busy days, when we were exploring Brighton or London, five seemed an annoyingly small number when there was so much to pick from. On quiet days, when it was grey and rainy and we worked all day and got home in the dark, it was much much harder. 

2. Due to the layout of Instagram, we felt the curation of images became an important factor. It sounds awfully fussy, but we wanted our profile to look balanced. Therefore, it wasn’t just the challenge of taking five photos a day, but making sure we didn’t duplicate subject matter, or colour, and uploading images in an order that would ensure they looked best alongside each other. 

3. All those conceptions people have of Instagram? About boring photos of Starbucks mugs with a gazillion tacky filters applied? We had all of those conceptions too. But as much as we tried to stay away from the classic subject matter, it wasn’t easy. In this country, blue sky is super exciting when it decides to appear, and coffee is actually pretty photogenic. But there are some incredible photographers using Instagram as a tool - check out jn for example, whose street shots of Berlin, one of our absolute fave cities, are beyond awesome. 

4. As for the filters? Well, yes, we used them. But we generally stuck to just one - Valencia - which slightly flattens the contrast, and adds subtle grey-brown tones. We’re pretty anti-fake-vignette, and it produces images that look similar to how we’d process them ourselves on Photoshop. We did try the tilt-shift option too, but just the once and on a shot of London from up high, to make proper use of the miniature effect. Weirdly, for people who love shooting black and white film as much as we do, we found ourselves drawn to almost exclusively bright colours. Odd.

5. There were some features we felt it could do with. One of our absolutely unforgivable hatreds in photos: when the horizon/verticals aren’t straight. A straightening function with the rotate would be fab. For this, and other little tweaks, we used Snapseed, an amazing (free!) editing app from Google. Ignore the few tacky filters, and it’s an incredibly useful tool. We particularly like the ability to adjust certain areas of an image - its intuitive selection means if you want to brighten the sky, it will only brighten the sky. 


Above all else, we’re very glad we tried this. All those “if only I had my camera!” moments are a thing of the past. Instagram is more than filters - we’ve got a constantly refreshing stream of inspiration in our pocket. I think it’s safe to say we’re hooked. 

16

May

Illustrator Sarah Maycock has an amazing portfolio of work. We just spent about 20 minutes browsing her site, and feeling jealous. We think these are some of our faves though - beautiful inky drawings of London, made in collaboration with branding agency Heavenly to promote a new housing development in the city. 

UNINTENTIONAL ROTHKO OF THE DAY

UNINTENTIONAL ROTHKO OF THE DAY

13

May

Like these? We do!
If you’re in London before this Sunday (the 19th), get yourself to Oxo Tower. The gallery is showcasing the work of printmaker and illustrator Paul Catherall, whose brightly coloured linocuts take inspiration from the architecture of the city. If we were rich, we’d buy them all (thankfully, since we’re not rich, the exhibition is free).

11

May

STICKY PECAN BUNS

For the bread you will need: 

  • 3 1/4 cups of bread flour
  • 1 tbsp of packet yeast
  • 1 1/4 tbsp of salt
  • 1/2 cup of runny honey
  • 1/8 cup of veg oil
  • 1 egg
  • 1 cup of warm water
  1. Add flour, yeast and salt together in a bowl.
  2. Add wet ingredients together and whisk and add to dry ingredients.
  3. Stir in the bowl until all mixed together and leave covered in a warm place for 2 hours. (No need to knead)

For the filling and syrup you will need:

Filling:

  • 1/2 cup of light brown sugar
  • 2 tsp of cinnamon 
  • 1/2 a cup of chopped pecans

Syrup:

  • 3/4 cup of butter
  • 1 1/2 cups of light brown sugar
  • 1/3 cup of honey
  • 1/3 cup of cream
  • 1/3 cup of water
  • A couple pinches of salt
  • 1/2 cup of pecan halves
  1. Toast the pecan halves in the oven.
  2. Melt butter and sugar in a pan.
  3. Stir in everything else off the heat. 
  4. Pour into a large, deep baking tin or glass dish.
  5. Add pecan halves on top.
  6. When the bread dough has risen roll it out on a floured surface.
  7. Spread out the filling on top and roll up.
  8. Cut inch thick slices and place on top of the syrup in the tin.
  9. Leave to rise in a warm place for another 2 hours. 
  10. Place in the oven at about 180/200 for 30-40 mins. 
  11. When you take it out of the oven you will be super eager to eat them as they take so long to make but make sure you leave it for 20 mins so that the syrup can cool and won’t run everywhere. 
  12. Flip the tin over onto another tray and EAT.

This may seem like such a labour intensive process… and yes it does take a long time but OH MY GOSH they are sooo worth it. We got excitement quivers when we ate them. They are seriously good. If you make them I promise you will understand that they are worth the effort. 

08

May

Absolutely loving this “Wall piece with 200 letters” by Mikko Kuorinki. We love a good quote.

Inspired. 

07

May

Aren’t these incredible? Photographer Michael Marten set out on a decade-long project to capture the view of the sea at both high and low tides. The results are beautiful - it’s not just the sea that changes, but the surrounding area and the atmopshere too. 

The images are available in a book - Sea Change: A Tidal Journey Around Britain

(Source: awkwardsituationist)

03

May

Halftone Exhibition.

I went to this sick exhibition the other day all about publications and zines. Totally up our alley. If you’re in the Bournemouth area I seriously recommend going… it’s only open a few more days so get on it quick. I was 100% inspired. 

This table by Italian company Manoteca isn’t just a table. Firstly, it’s made from a vintage wooden door. It works as a dining table for 8 people, until you open it - then it’s a desk with storage. We want we want we want. 

01

May

Hello, May.

Hello, May.

30

Apr

This month we’ve made these pocket accordion books, snooped it up in Snoopers Paradise (Brighton), whipped up some baklava and started an Instagram account. 

This month we’ve made these pocket accordion books, snooped it up in Snoopers Paradise (Brighton), whipped up some baklava and started an Instagram account. 

If we had the money, we’d be wearing sunglasses by New Zealand designer Karen Walker aaaaaall year round. The campaign is possibly even better than the glasses themselves. Shot in their own homes by blogger/photographer Ari Seth Cohen, the stars are four New York women, aged between 65 and 92. 

27

Apr

ON THE PLAYLIST 
Can’t stop listening to James Blake. I am sold - James Blake. 

ON THE PLAYLIST 

Can’t stop listening to James Blake. I am sold - James Blake

26

Apr

OVERHEARD

OVERHEARD

Blog discovery of the morning - and it’s a pretty heartwarming one. 60 Postcards is a project by Rachael Chadwick. As a tribute to her mother, who died last year, Rachael took a trip to Paris and left 60 handwritten postcards scattered across the city, asking the finder to get in touch. And they have been! 

Blog discovery of the morning - and it’s a pretty heartwarming one. 60 Postcards is a project by Rachael Chadwick. As a tribute to her mother, who died last year, Rachael took a trip to Paris and left 60 handwritten postcards scattered across the city, asking the finder to get in touch. And they have been!